Profundidad de Campo

jueves, 18 de marzo de 2010

Video2Brain.Photoshop-Special.Looks.entwickeln.GERMAN-Substance

Video2Brain.Photoshop-Special.Looks.entwickeln.GERMAN-Substance
609MB | HF Links | Release Date:March 17, 2010
http://www.video2brain.com/de/products-558.htm

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Photoshop Workbench 211 - 220

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Photoshop Workbench Episodes 201 - 210 AIO ISO

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The Photoshop Workbench Vol 1 Disc 1 & 2

Video Training|Rapidshare|8.3GB

Welcome to the ultimate collection of Photoshop tutorials—Photoshop Workbench Volume One! This two DVD set features Episodes 1 – 200 of Mark Johnson’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 200 episodes).

Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion

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Disc 1: 29 hours, 15 minutes [4.2 G]

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Disc 2: 29 hours, 6 minutes [4.2 G]

http://rapidshare.com/files/318547101/PSW-V1D2.txt

Video2Brain.100.Prozent.Male.Portraets.mit.Charakter.GERMAN-Substance

Video2Brain.100.Prozent.Male.Portraets.mit.Charakter.GERMAN-Substance
493MB | HF Links | Release Date:March 17, 2010
http://www.video2brain.com/de/products-553.htm

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Gnomon Photographic Retouching in Adobe Photoshop

Gnomon Photographic Retouching in Adobe Photoshop

Trainer: Meghan FARRELL | 157 Minutes | For Windows and Mac | 669 MB

With this DVD you will learn the step-by-step process of using Adobe Photoshop® retouching techniques to transform and prepare images for production level commercial photography. Meghan Farrell will walk you through the steps of retouching a fashion shoot as a basis for learning the primary skill sets to make skin and hair look flawless without looking artificial. You will learn how to retouch and maintain natural skin, hair and hands and reshape the body. You’ll be introduced to indispensable methods of using adjustment layers, layer masks and color correction. The techniques demonstrated in this DVD will help you retouch like a professional, whether working on your own images or for those of a client. The cutting edge techniques demonstrated in this DVD will help you stand out when seeking work in this fast-paced industry.

1. SETTING PREFERENCES

We begin by establishing some basic Photoshop® settings to allow us to work more fluently once we get started.

2. COLOR CORRECTING

Working with adjustment layers and masks is really the only way to color correct images in the professional setting. Having a st rong knowledge of how to use masks quickly will be one of your strongest assets when working in the world of photographic retouching.

3. SKIN RETOUCHING

Using the healing brush and the clone stamp set at various dark/light settings is your best bet for fast touch ups. We are going to be focusing a lot on skin. Remove any large blemishes first and then focus on balancing tone.

4. KEEPING SKIN NATURAL

For a flawless yet naturally textured look, the burn and dodge tool is the only way to go. Star t by burning in the areas that are too light and dodging out the areas that are too dark unt il the skin is a balanced neutral tone. This goes for zoomed in as well as zoomed out.

5. EYES AND SURROUNDING AREA

Use the dodge and burn, clone and healing brush tool to clean up, reshape and sculpt the eye area. Emphasizing the iris and pupil will create a more dramatic look. Always remove the red from the eye whites, but don’t “white-out” the whites, keep the ball of the eye looking spherical.

6. HAIR AND MORE

Using the brush tool set to a low opacity is great for painting in hair strands. Use the clone stamp or copy and paste method for larger areas of hair. Be sure to match the surrounding areas of hair for color, density and sharpness so nothing stands out as unnatural.

7. REVIEWING SKIN TECHNIQUES

On our second image we will review some of the basics learned in the previous chapters for natural skin clean up.

8. SKIN FOLDS

Skin folds include anything from armpits to hand creases. In this chapter I’ll go over how to smooth and refine the armpit area to create a very natural subtle armpit line. Remember to keep your lines straight and apply the basic skin techniques to the surrounding armpit area.

9. REMOVING OBJECTS FROM THE BACKGROUND

Once you have removed the object from the background, focus on rebuilding that background so it blends in with the rest of the image. Keep your lines straight. Pay special attention to where tones change and fade into each other. Using the clone tool set to a medium opacity will help you achieve natural looking results.

10. HANDS AND HAIR REVIEW

Even well manicured hands can look rough once photographed, so pay special attention to fingernails, cuticles, knuckles and veins. Clone stamp set to lighten will give you natural looking knuckles.

11. BODY MORPHING

Using the Liquify filter opens up a new world of possibilities. Learn here how to gently reshape a figure for natural results. Liquify is also a great asset for smoothing lines close-up and can be used on the image as a whole or on selected areas.

12. INTENSIFYING OBJECTS AND SHAPES

Using special techniques to intensify objects gives directors that “POP!” they are looking for.

13. CHANGING COLORS OF SELECTED AREAS

Sometimes you may need to change the color of an object in an advertisement, especially if the ad is for something that comes in more than one color. Having a good understanding of adjustment layers is essential.

About the Instructor:

Meghan Paddock Farrell received a BFA in Photography from Rhode Island College. Her understanding of the color darkroom process as well as her background in fine art informs her ability to accurately manipulate color, capture the 3D human form and translate these through lighting effects into the 2D space. As the Senior Retoucher at the publishing house of Weider Publications, she oversaw, enhanced and brought tens of thousands of images to a production level, print-ready, status. Her work has been published in hundreds of magazines including Glamour, Allure, Vanity Fair, Los Angeles Magazine, Shape Magazine as well as many more domestic and international titles and advertisements. She has also worked as retoucher at Getty Images, SuperColor Hollywood, and for notable fashion photographers Guilano Bekor, Norman Jean Roy and Ondrea Barbe. Currently she works as an independent contractor for several advertisers and publications including OPI, VIV and others.

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miércoles, 17 de marzo de 2010

Acciones PhotoShop

Las Acciones PhotoShop automatizan las tareas que aplicamos frecuentemente sobre nuestras imágenes.

Para utilizarlas sólo hay que descomprimir el fichero .rar en el directorio Adobe PhotoShop/Ajustes preestablecidos/Acciones de PhotoShop y cargar el nuevo grupo de acciones en la Paleta Acciones.

Ajustes básicos

Ajuste de Niveles por Zonas.
Descritas en el superventas “Fotografía Digital de Alta Calidad” de José María Mellado.

Diversos métodos para mejorar la nitidez
1. Enfoque Web 2. Color Lab 3. Color Lab Avanzado 4. Paso Alto 5. Color CMYK 6. Por Relieve.

jggWeb Tonal Contrast Plus
Ayuda a recuperar texturas aumentando el contraste tonal.

Nitidez jggWeb
6 métodos de mejorar la nitidez: Enfoque Web, Color Lab, Color Lab Avanzado, Paso Alto, Color CMYK y Por Relieve.

Blanco y Negro

Blanco y Negro de Rob Carr
El famoso método para pasar imágenes a blanco y negro de Rob Carr.

Blanco y negro de película
Simulación mediante el método del Mezclador de Canales de los resultados obtenidos con varias marcas de negativos: Agfa, Ilford y Kodak.

Blanco y negro de Rob Carr con Filtros de Colores
Pasa fotografías en color a blanco y negro con alto contraste.

Blanco y negro de Greg Gorman
Blanco y negro de alto contraste.

Optimización del Color

Colores más Intensos
Intensifica la saturación del color.

Lab Saturation Actions
Aumenta la saturación respetando el color de la piel de las personas.

Potenciar Colores
Realza los colores que hay en una imagen.

Calidez, Viveza y Enfoque
Una acción creada por José Fàbrega Agea que aporta calidez y viveza de color en paisajes de atardecer y amanecer que nos han quedado apagados o demasiado fríos.

Aplicar Curva Marciana
Una acción que aplica la Curva Marciana creada por José Fàbrega Agea basándose en las enseñanzas de Dan Margulis para obtener colores más vivos respetando los tonos de la piel. Muy útil en retratos.

Desaturación Serena jggWeb.
Aplica una desaturación del color parcial.

Otros Efectos

Draganizer.
Dramatiza retratos al estilo Andrzej Dragan.

Viñeteado jggWeb.
Crea un viñeado del 20%.

Enmarcado Simple jggWeb.
Enmarcado en blanco y en negro.

Clave Alta JggWeb
Ayuda a convertir un retrato (bien expuesto y sobre fondo claro) en un Clave Alta.

Efecto lluvia
Simula la lluvia en una imagen.

Efecto vaho y gotas de agua sobre cristal
Simula las gotas de agua y el efecto de la condensación sobre un ficticio cristal.

Efecto Etéreo jggWeb
Aplica un desenfoque selectivo sobre las luces altas, creando escenarios oníricos.

Rule of Thirds Cropping
Acción creada por PanosFX.com con la que nos ayuda a realizar recortes sobre nuestras imágenes que cumplan la Regla de los Tercios.

Acciones Photoshop José María Mellado

Ya se pueden descargar las nuevas accionesPhotoShop de José María Mellado desde la página oficial de su nuevo libro Fotografía de Alta Calidad.

Además se pueden bajar las imágenes utilizadas para ilustrar las diversas técnicas de revelado y postprocesado.

Más de 600 Mb (tiempo aprox. de descarga 20min) de imágenes en formato RAW y JPEG y todas las acciones que el autor emplea habitualmente. Un lujo.

Digital Photographer Magazine (Fall 2009)

Digital Photographer Magazine (Fall 2009)
PDF | English | 49 Pages | 8,7 Mb

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SharingMatrix | Depositfile

Foto - Video Magazine (February 2010)

Foto - Video Magazine (February 2010)
PDF | English | 102 Pages | 18,8 Mb

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Shutterbug Magazine (February 2010)

Shutterbug Magazine (February 2010)
PDF | English | 180 Pages | 51,2 Mb

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SharingMatrix | Depositfiles

What Digital Camera Magazine (February 2010)

What Digital Camera Magazine (February 2010)
PDF | English | 133 Pages | 55,6 Mb

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SharingMatrix | Uploaded

Digital Photographer Magazine (Winter 2009)

Digital Photographer Magazine (Winter 2009)
PDF | English | 63 Pages | 21,9 Mb

Download links :
SharingMatrix | Uploaded

Digital Landscape Photography

Description : Photographing landscape with a film camera is different than with a digital camera. There are several books on the market that cover landscape photography but few of them are specifically for the digital photographer. This book is what you are looking for! Digital Landscape Photography covers:
* equipment such as accessories and lenses
* exposure from shutter speed and other common mistakes
* shooting
* light and its importance
* composing your perfect photo
* printing
* and a special section on specific subjects such as waterfalls and sunrises
Digital Landscape Photography, written by experts that have been shooting outdoors for decades, is a fresh look at current ways to shoot landscapes by making the most of digital format.
* the only photo book on landscape photography in a landscape format
* both beautifully illustrated and instructive at the same time
* Authors are well known photographers in the field: Pictures have been published in National Wildlife, Sierra, Natural History, Outdoor Photographer, and many other major publications.

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earning to See Creatively: Design, Color & Composition in Photography

Description : Almost everyone can "see" in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light. Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the "chosen few" but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it—helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work.
* New edition of a best-selling title
* Updated to include digital
* All new artwork, and a totally revised and expanded text
* All-new section on color as a design element
* Written by one of Amphoto`s bestselling authors
Category : Books, Arts, Photography, Digital, Graphics, Design, Reference

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