.psd Photoshop No.01 - January 2011(France)
True PDF | 50 pages | French | 13.38 MB
True PDF | 50 pages | French | 13.38 MB
Download Links:
Download Links:
domingo, 30 de enero de 2011
.psd Photoshop - January 2011 (Poland)
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
.psd Photoshop - the excellent magazine devoted to a photoshop and processing of photos. It is a lot of text, there are lessons a photoshop, reviews of lenses and cameras and many other things.
Download Links:
Download Links:
.psd Photoshop - January 2011 (Poland)
.psd Photoshop - January 2011 (Poland)
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
.psd Photoshop - the excellent magazine devoted to a photoshop and processing of photos. It is a lot of text, there are lessons a photoshop, reviews of lenses and cameras and many other things.
Download Links:
Download Links:
.psd Photoshop - January 2011 (Poland)
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
True PDF | 2 issues | 57 + 41 pages | Polish |15,29 MB
.psd Photoshop - the excellent magazine devoted to a photoshop and processing of photos. It is a lot of text, there are lessons a photoshop, reviews of lenses and cameras and many other things.
Download Links:
Download Links:
Videography Magazine January 2011 True PDF | English | 36 Pages | 12.41 MB
Videography Magazine January 2011
True PDF | English | 36 Pages | 12.41 MB
True PDF | English | 36 Pages | 12.41 MB
Download Links:
Download Links:
On View - February/March 2011
On View - February/March 2011
English | 105 pages | PDF | 64.04 Mb
English | 105 pages | PDF | 64.04 Mb
On View is fine art magazine featuring exciting art museum exhibitions, artist profiles and more.
Download:
Vehicle Painting - Digital Painting Tutorial Series | 44 Mb
Vehicle Painting - Digital Painting Tutorial Series | 44 Mb
This tutorial eBook takes an in-depth look at the process of designing vehicles, beginning with the concept stage and following through to a final design. The tutorial covers sketching approaches used to evolve and refine an initial idea, and shows the techniques used to produce a number of drawings, exploring a variety of designs.
The tutorial then moves on to creating a finished design, placing the vehicle in a simple scene and addressing the issue of rendering the various materials that make up its construction. The importance of perspective is explained before concluding the tutorial concludes with a chapter on adding design details and lighting effects.
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Zoo Publishing - Speed Painting Vol.1
Zoo Publishing - Speed Painting Vol.1
Publisher: Zoo Publishing | 2008 | ISBN: N/A | 102 pages | PDF | 74 Mb
Publisher: Zoo Publishing | 2008 | ISBN: N/A | 102 pages | PDF | 74 Mb
This 102-page eBook is a collection of Speed Painting tutorials, which have been created by some of the top digital painters around today. The idea behind this tutorial series was for the artist to interpret a one-line descriptive brief, create a speed painting from it and then produce a tutorial showing and explaining each stage of production of the artwork. Some of the artists have also kindly created some unique brushes which can be downloaded at the end of their Speed Painting tutorials. This downloadable PDF eBook can be followed in most 2D software packages that support paintbrushes and layers.
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Digital Tutorials Speed Painting Vol.2
Digital Tutorials Speed Painting Vol.2
Publisher: Zoo Publishing | 2009 | ISBN: N/A | 91 pages | PDF | 78 Mb
Publisher: Zoo Publishing | 2009 | ISBN: N/A | 91 pages | PDF | 78 Mb
Our brand new 91 page e-book is a collection of "Speed Painting" tutorials which have been created by some of the top digital painters today. The idea behind this tutorial series was for the artist to interpret a one line descriptive brief (provided by 3D Total!) create a speed painting from it and then produce a tutorial showing and explaining each stage of production of the artwork. This download-able PDF e-book can be followed in most 2-D software packages that support paintbrushes and layers.
Download links:
Zoo Publishing - Speed Painting Vol.3
Zoo Publishing - Speed Painting Vol.3
Publisher: Zoo Publishing | 2009 | ISBN: N/A | 77 pages | PDF | 61 Mb
Publisher: Zoo Publishing | 2009 | ISBN: N/A | 77 pages | PDF | 61 Mb
The third eBook in the Speed Painting series covers another array of professional artist offering their interpretation of a provided topic. Spanning over 70 pages, the tutorials follow a work practice echoed by many concept artists today and we gain a valuable and insightful look into their techniques and thought processes along the way. This downloadable PDF eBook can be followed in most 2D software packages that support paintbrushes and layers. The book is divided into eight chapters, each with two very different and contrasting tutorials inspired by a single title, and are accompanied by an account of the key stages involved alongside a visual record of the painting process.
Download links:
Photoshop User March 2011
Photoshop User March 2011
English | PDF | 136 Pages | 43.4 MB
http://hotfile.com/dl/100330263/0a1b36b/Photoshop.User2011.03.pdf.html
http://www.filesonic.com/file/67193870/Photoshop.User2011.03.pdf
http://www.fileserve.com/file/J99ykND/Photoshop.User2011.03.pdf
Fotoblur Artistic Nudes | Issue 1 | January 2011 | 73.28MB | HF-FS-DF
 Fotoblur Artistic Nudes | Issue 1 | January 2011 | 73.28MB | HF-FS-DF+++++++++++++++++++++++++++++++++++++++ +++++++++++++++++++++++++++++++++++++++ |
fxphd - DOP210 - DSLR Cinematography
fxphd - DOP210 - DSLR Cinematography
English | AVC1 960x540 23.976 fps | AAC 48 Kbps 44.1 KHz | 3.77 GB
Genre: eLearning
Every day more and more productions are exploring the use of high end DLSR for HD video. Stu Maschwitz rejoins the team and the guys in Tokyo to give the most comprehensive guide to the new phenomenon of DSLR cinematography.
English | AVC1 960x540 23.976 fps | AAC 48 Kbps 44.1 KHz | 3.77 GB
Genre: eLearning
Every day more and more productions are exploring the use of high end DLSR for HD video. Stu Maschwitz rejoins the team and the guys in Tokyo to give the most comprehensive guide to the new phenomenon of DSLR cinematography.
In this course we will cover:
* What it takes to shoot cinematically with camera such as the Canon 5D MkII
* How to shoot for post
* Tricks and techniques for camera control and camera movement, including the Red Rock Micro and the Mini-Steadicam
* Compression and camera settings recommendations, covering 24P, Manual settings, Tricks of compression etc.
* Rules of thumb for evaluating what camera and lenses you need
* Color grading DLSR video footage for Hollywood professional looks
* Sensor and optical 'behind the scenes' including rolling shutter
* reviews of 720 P with the Nikon D90, Full HD with the Olympus PEN, Panasonic GH1 and the Canon 5D MkII
Mostly shot in Tokyo and Kyoto, but as a special event later in the term, we will go on base with the US Army 55th Combat Camera Unit to look at the Canon 5D Mk II in war zone correspondent use, an unparalleled and unprecedented chance to see how these cameras are used in the most dangerous and unforgiving environments imaginable. Literally, we hope to have Stu and John putting the camera through its paces with Blackhawk helicopters and some of the bravest cameraman and women in the world with the US Army's Canon 5D Mk II specialists. A rare honor, and one we are most appreciative to have the chance to bring you.
Professor: Mike Seymour (mikes)
Class 1: Establishing the pro's and con's of DSLR cinematography and getting outside to shoot on the streets of the Ginza district in Tokyo with the 5D mk2.
Class 2: Part of the Ginza shoot post workflow and looking at the difference between the main camera's in the DSLR cinematography market.
Class 3: Shooting on the sly in the Tsukiji fish market and how to shoot with grading in mind. Stu walks us through grading in AE with Magic Bullet.
Class 4: Shooting on the busy streets in Harajuku, Stu discusses lenses and lens choices and how they effect composition and storytelling.
Class 5: Dealing with camera mobility and adding virtual weight to your shots.
Class 6: Using optical filters vs digital filters in post and the problem of rolling shutter.
Class 8: Using the 5D Mark II in rugged and combat situations. With 1st Lieutenant Tyler Ginter of the US Army 55th Signal Company
Class 9: A technical look at the files produced by DSLR's including image quality, processing, and keyability.
Class 10: A continuation of a keying example from last week, a discussion of the Canon 5d vs. 7d, a look at the new Magic Bullet Mojo plugin, and a wrap up conversation with Stu. Plus, a bonus class looking at ND filters and Canon 7D settings, both default and custom.
* What it takes to shoot cinematically with camera such as the Canon 5D MkII
* How to shoot for post
* Tricks and techniques for camera control and camera movement, including the Red Rock Micro and the Mini-Steadicam
* Compression and camera settings recommendations, covering 24P, Manual settings, Tricks of compression etc.
* Rules of thumb for evaluating what camera and lenses you need
* Color grading DLSR video footage for Hollywood professional looks
* Sensor and optical 'behind the scenes' including rolling shutter
* reviews of 720 P with the Nikon D90, Full HD with the Olympus PEN, Panasonic GH1 and the Canon 5D MkII
Mostly shot in Tokyo and Kyoto, but as a special event later in the term, we will go on base with the US Army 55th Combat Camera Unit to look at the Canon 5D Mk II in war zone correspondent use, an unparalleled and unprecedented chance to see how these cameras are used in the most dangerous and unforgiving environments imaginable. Literally, we hope to have Stu and John putting the camera through its paces with Blackhawk helicopters and some of the bravest cameraman and women in the world with the US Army's Canon 5D Mk II specialists. A rare honor, and one we are most appreciative to have the chance to bring you.
Professor: Mike Seymour (mikes)
Class 1: Establishing the pro's and con's of DSLR cinematography and getting outside to shoot on the streets of the Ginza district in Tokyo with the 5D mk2.
Class 2: Part of the Ginza shoot post workflow and looking at the difference between the main camera's in the DSLR cinematography market.
Class 3: Shooting on the sly in the Tsukiji fish market and how to shoot with grading in mind. Stu walks us through grading in AE with Magic Bullet.
Class 4: Shooting on the busy streets in Harajuku, Stu discusses lenses and lens choices and how they effect composition and storytelling.
Class 5: Dealing with camera mobility and adding virtual weight to your shots.
Class 6: Using optical filters vs digital filters in post and the problem of rolling shutter.
Class 8: Using the 5D Mark II in rugged and combat situations. With 1st Lieutenant Tyler Ginter of the US Army 55th Signal Company
Class 9: A technical look at the files produced by DSLR's including image quality, processing, and keyability.
Class 10: A continuation of a keying example from last week, a discussion of the Canon 5d vs. 7d, a look at the new Magic Bullet Mojo plugin, and a wrap up conversation with Stu. Plus, a bonus class looking at ND filters and Canon 7D settings, both default and custom.
http://www.filesonic.com/file/64082267/T_fxphd-DOP210-DSLR.Cinematography.part01.rar
http://www.filesonic.com/file/64082521/T_fxphd-DOP210-DSLR.Cinematography.part02.rar
http://www.filesonic.com/file/64083881/T_fxphd-DOP210-DSLR.Cinematography.part03.rar
http://www.filesonic.com/file/64084779/T_fxphd-DOP210-DSLR.Cinematography.part04.rar
http://www.filesonic.com/file/64084789/T_fxphd-DOP210-DSLR.Cinematography.part05.rar
http://www.filesonic.com/file/64085427/T_fxphd-DOP210-DSLR.Cinematography.part06.rar
http://www.filesonic.com/file/64085399/T_fxphd-DOP210-DSLR.Cinematography.part07.rar
http://www.filesonic.com/file/64086517/T_fxphd-DOP210-DSLR.Cinematography.part08.rar
http://www.filesonic.com/file/64086653/T_fxphd-DOP210-DSLR.Cinematography.part09.rar
http://www.filesonic.com/file/64085587/T_fxphd-DOP210-DSLR.Cinematography.part10.rar
http://www.fileserve.com/file/ZvFK9Qn/T_fxphd-DOP210-DSLR.Cinematography.part01.rar
http://www.fileserve.com/file/8gTY8KT/T_fxphd-DOP210-DSLR.Cinematography.part02.rar
http://www.fileserve.com/file/6j4YGjz/T_fxphd-DOP210-DSLR.Cinematography.part03.rar
http://www.fileserve.com/file/4zux5SV/T_fxphd-DOP210-DSLR.Cinematography.part04.rar
http://www.fileserve.com/file/hsdws8G/T_fxphd-DOP210-DSLR.Cinematography.part05.rar
http://www.fileserve.com/file/FChUfnh/T_fxphd-DOP210-DSLR.Cinematography.part06.rar
http://www.fileserve.com/file/kgZEsCt/T_fxphd-DOP210-DSLR.Cinematography.part07.rar
http://www.fileserve.com/file/pRWSEvt/T_fxphd-DOP210-DSLR.Cinematography.part08.rar
http://www.fileserve.com/file/qRyhVHE/T_fxphd-DOP210-DSLR.Cinematography.part09.rar
http://www.fileserve.com/file/tDrUuH2/T_fxphd-DOP210-DSLR.Cinematography.part10.rar
Studio Lighting & Illumination Kit (SLIK) + Resources | 917.38 M
Studio Lighting & Illumination Kit (SLIK) + Resources | 917.38 MB
A surprising number of presets, scenes, items, materials and video tutorials that were released that would help you create a "studio" lighting of your scenes. However SLIK you can quickly select the right solution to simulate studio lens used in the real world. Your renders will become more vivid and realistic.
The Studio Lighting & Illumination Kit (SLIK) is an extensive collection of presets, scenes, items, materials and video tutorials to help modo users light their creations. With SLIK, you are able to quickly select a studio lighting solution that mimics those found in the real-world of photography. Instantly your modo renderings will look more vivid and believable.
A surprising number of presets, scenes, items, materials and video tutorials that were released that would help you create a "studio" lighting of your scenes. However SLIK you can quickly select the right solution to simulate studio lens used in the real world. Your renders will become more vivid and realistic.
The Studio Lighting & Illumination Kit (SLIK) is an extensive collection of presets, scenes, items, materials and video tutorials to help modo users light their creations. With SLIK, you are able to quickly select a studio lighting solution that mimics those found in the real-world of photography. Instantly your modo renderings will look more vivid and believable.
Bring the realism of a studio shoot into your CG-based production.Whether you just need a quick fix lighting solution to drop a model into or a streamlined way to build your own lighting studio, SLIK will accelerate your workflow with content and controls not found in any other lighting system. Add lights, arrange, tweak light controls. Render. Need a spherical HDR image of the studio- No problem, just drop a spherical camera preset, flip a switch and render your custom high-quality HDR image. And you can do all this while seeing your renders or spherical map interactively using Luxology’s Preview Renderer.
Get professional results using these Integrated lighting environments
SLIK consists of lighting assembly presets, scenes, material presets, mesh presets, HDR image based environments, instructional videos and a guided manual to help you light your modo scenes with incredible realism.
Get professional results using these Integrated lighting environments
SLIK consists of lighting assembly presets, scenes, material presets, mesh presets, HDR image based environments, instructional videos and a guided manual to help you light your modo scenes with incredible realism.
http://www.fileserve.com/file/EVstxvt/1W_SLIK.part1.rar
http://www.fileserve.com/file/C4MHNg7/1W_SLIK.part2.rar
http://www.fileserve.com/file/jMuqakT/1W_SLIK.part3.rar
http://www.filesonic.com/file/55184943/1W_...rar
http://www.filesonic.com/file/55176539/1W_...rar
http://www.filesonic.com/file/55173859/1W_SLIK.part3.rar
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