video2brain : One Light Setup - Teil 1 & 2
Language: German | Duration: 4h 38m + 2h 51m | H264 | 1024x576 | 29.97fps 1858kbps | AAC 44.1KHz stereo | 4.35GB
Genre: eLearning
A light source "is all you need"
Martin Krolop leads you in this video training in the basics of exposure in photography. He keeps thinking of the motto: "One Light is all you need." And shows examples of how you can create with just a light source, expressive images. They accompany him on this in every necessary step from the live shooting through to post production. Vivid and instructive!
Less is more. So also when it comes to the subject exposure in photography. Martin Krolop can show in this Training generate impressive as one with only one light source quite different effects and moods. Live from the shooting to post production training, this insight into every part of the process of creating a one-light-only photos.
Part 1
Martin Krolop leads in this video tutorial in the art of exposing one in photography. Starting from a light source, he systematically shows what is behind the creation of a masterful photographs: the intuitive basis of knowledge of a seasoned photographer.
Building on this deep understanding of the one-light-only exposure, leads Martin Krolop then show behind the scenes to provide examples, the results can be achieved with these tools already. They accompany him at work and in each step in the emergence of a powerful image from the live shooting through to post production. He considers himself thinking of the motto: "One Light is all you need."
That is, this video tutorial will take you to the basics of exposure with only one source and a light show in an impressive manner, as may occur alone so expressive images.
From the contents
Basics of One-Light Photography
This chapter provides important theoretical pre-planning. It addresses issues relating to hard and soft lighting, camera angle which are useful and of course what equipment should be used for that.
One Light Setup - Part 1
In many practical examples, you learn which setup for your scheduled photo shot success and round off what promises flashes your setup. Shot from the classic fashion, a soft package, to stark and unusual setups.
The post-
The final chapter deals with the post-processing of images from the shoot. Products are Photoshop and Lightroom, but also useful plug-ins.
Part 2
One Light is all you need. Martin Krolop proves with this video tutorial, not only that it is possible to tension, melancholy, anger and many other moods in a photo with only one light source to capture, it also shows how this works. The video training through the entire production process of a professional and expressive photography, from shooting live up to the post-production. The resulting raw materials used and are included in training.
From the contents
Ring Lite 1
A ring flash is unfortunately an expensive proposition, but so much money we need not spend, as we craft our own ring flash with a dish and a tripod.
Ring Lite 2
In a modification to the previous film we use this time instead of a softbox as the direct light of the ring flash. What causes the changes in the photo that we experience in this setup. Following the motto: simple, but brilliant and an absolute "BURNER".
Bags of coffee beans
A great model and a nice background does not require always a thousand flashes. Quite the contrary, more than any flash itself draws more from the subject. This video is all about the exact balancing of the light situation.
The same in blue
This technique can be manipulated back and modify a little. Immediately we get a completely different picture and acting in this film, the impact of the different combinations.
The reason large softboxes
Why do so many manufacturers actually build such a large soft boxes? To leave only to models before? - Absolutely not. The reason for large soft boxes is quite another. Which? - That we can find right here.
Glamour thanks Dish
Glamour pure with only a Dish! By positioning, we can still set a light technical focus the viewer on a portrait of our model. The article is all about the drop in light intensity over distance.
Abnormal
It is not always sharp! Here we create a corresponding illumination with continuous light, while using the permanent illumination characteristics. Motion blur and sharp contrasts create an interesting interplay.
Wrap behind
A great effect can be achieved again with only one source of light. As always, the photo must occur before the head and we have to use the light and carefully targeted.
Feather-technology
With the Feather methodology can make the laws of nature on its head. The movie is about to use the border region of a light shaper so that more light is thrown behind the model as the model and that with only one source of light.
One site setup
Even in this post again only one light source is in use! Everyone has a dark side and this is specifically for use in this post. We use a continuous light and a reflector with zebra fabric.
Indirectly, high 10
It does not always use real light former. Large, white rooms are great as a giant softbox. We use this in the studio and take pictures with extremely soft light, our light source is this time the studio itself
Crazy sexy cool
Still only one light source and light deep this time! By varying the distance from the light source model, we can systematically influence the shadows. Separated from strong to "glow effect" anything is possible.
The post-
In this chapter you will find extensive possibilities with Photoshop and Lightroom to correct in post. Many examples will give you an impression, but also practical assistance on how to get to your destination.
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http://www.filesonic.com/file/2073290321/One.Light.Setup.Part2.part5.rar
Martin Krolop leads in this video tutorial in the art of exposing one in photography. Starting from a light source, he systematically shows what is behind the creation of a masterful photographs: the intuitive basis of knowledge of a seasoned photographer.
Building on this deep understanding of the one-light-only exposure, leads Martin Krolop then show behind the scenes to provide examples, the results can be achieved with these tools already. They accompany him at work and in each step in the emergence of a powerful image from the live shooting through to post production. He considers himself thinking of the motto: "One Light is all you need."
That is, this video tutorial will take you to the basics of exposure with only one source and a light show in an impressive manner, as may occur alone so expressive images.
From the contents
Basics of One-Light Photography
This chapter provides important theoretical pre-planning. It addresses issues relating to hard and soft lighting, camera angle which are useful and of course what equipment should be used for that.
One Light Setup - Part 1
In many practical examples, you learn which setup for your scheduled photo shot success and round off what promises flashes your setup. Shot from the classic fashion, a soft package, to stark and unusual setups.
The post-
The final chapter deals with the post-processing of images from the shoot. Products are Photoshop and Lightroom, but also useful plug-ins.
Part 2
One Light is all you need. Martin Krolop proves with this video tutorial, not only that it is possible to tension, melancholy, anger and many other moods in a photo with only one light source to capture, it also shows how this works. The video training through the entire production process of a professional and expressive photography, from shooting live up to the post-production. The resulting raw materials used and are included in training.
From the contents
Ring Lite 1
A ring flash is unfortunately an expensive proposition, but so much money we need not spend, as we craft our own ring flash with a dish and a tripod.
Ring Lite 2
In a modification to the previous film we use this time instead of a softbox as the direct light of the ring flash. What causes the changes in the photo that we experience in this setup. Following the motto: simple, but brilliant and an absolute "BURNER".
Bags of coffee beans
A great model and a nice background does not require always a thousand flashes. Quite the contrary, more than any flash itself draws more from the subject. This video is all about the exact balancing of the light situation.
The same in blue
This technique can be manipulated back and modify a little. Immediately we get a completely different picture and acting in this film, the impact of the different combinations.
The reason large softboxes
Why do so many manufacturers actually build such a large soft boxes? To leave only to models before? - Absolutely not. The reason for large soft boxes is quite another. Which? - That we can find right here.
Glamour thanks Dish
Glamour pure with only a Dish! By positioning, we can still set a light technical focus the viewer on a portrait of our model. The article is all about the drop in light intensity over distance.
Abnormal
It is not always sharp! Here we create a corresponding illumination with continuous light, while using the permanent illumination characteristics. Motion blur and sharp contrasts create an interesting interplay.
Wrap behind
A great effect can be achieved again with only one source of light. As always, the photo must occur before the head and we have to use the light and carefully targeted.
Feather-technology
With the Feather methodology can make the laws of nature on its head. The movie is about to use the border region of a light shaper so that more light is thrown behind the model as the model and that with only one source of light.
One site setup
Even in this post again only one light source is in use! Everyone has a dark side and this is specifically for use in this post. We use a continuous light and a reflector with zebra fabric.
Indirectly, high 10
It does not always use real light former. Large, white rooms are great as a giant softbox. We use this in the studio and take pictures with extremely soft light, our light source is this time the studio itself
Crazy sexy cool
Still only one light source and light deep this time! By varying the distance from the light source model, we can systematically influence the shadows. Separated from strong to "glow effect" anything is possible.
The post-
In this chapter you will find extensive possibilities with Photoshop and Lightroom to correct in post. Many examples will give you an impression, but also practical assistance on how to get to your destination.
Sceenshot:
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