jueves, 18 de marzo de 2010

Video2brain - Photoshop Convention 2009 DVD iSO | 6.83GB


Video2brain - Photoshop Convention 2009 DVD iSO | 6.83GB
In November 2009 the third convention in Munich Photoshop opened its doors. For two days, the visitors were in 40 lectures and workshops to date on Photoshop & Co. bring. We were for you with our camera crew on site! If you could not even be here or would like to once again want to listen to the lectures - with this selection, you live!

Contents:
Russell Brown: Mastering masking in Adobe Photoshop CS4
Join Adobe's senior art director, the mad scientist "Dr. Brown" as he guides you through an amazing adventure masking. Learn some basic, intermediate, and advanced Photoshop techniques for masking selections. The art of creating an accurate mask is the secret to enhancing great images in Adobe Photoshop, and that's what this class is all about.

Karsten Rose: Beauty and Portrait Retouching
Beauty and Portrait Retouching is announced today more than ever. Whether glossy magazine, images on television, the Internet or a private portrait photo - each and every one, whether star or stars, politicians or managers want a Wow! Have self-image. Sometimes, however, this has nothing to do with the person depicted is to be. Karsten Rose shows you how you can change the face and body shapes not only the skyline but also in the frontal view. You can see the different types of skin retouching, their different ways, from Normal skin of velvet-up dolls, and Geisha look. They find ways to change the skin texture in Photoshop - with and without filters. You will learn how to skin color than LAB modify, adapt and reshape it. Also: Various make-up techniques of adjustment layers and layer masks.

Calvin Hollywood see the light, set and control
The most important thing in photography is the most light. Because no light no picture! In this talk shows Calvin Hollywood creative possibilities of lighting on - both with studio flashes as well as with Photoshop. What must be illuminated to produce a photograph of some picture looks too? As you can in Photoshop to improve and expand the existing light situation? As you can simulate in Photoshop hot spots and strip lights? What is "dodge and burn"? Depth and plasticity of light painting - how does it? These and many other questions, please contact the speaker in this lecture. Calvin Hollywood shows you different techniques in Photoshop, with which you can improve your image editing workflow and expand. After this lecture, you know creative Photoshop techniques on "Designing with light and can easily apply.

Russell Brown: What's New in Adobe Photoshop CS4
Join Adobe senior creative director Russell Brown for this tips-and-techniques extravaganza, featuring Photoshop CS4, and CS4 Extended. In his own unique style, Russell will cover some of the newest features in Photoshop CS4 and some legacy of his favorites, while revealing amazing ways to use them. Special emphasis will be given to content aware scaling, creating seamless panoramas, non-destructive adjustment tools, and new 3D support - and much more. If you want to get up to speed on some of the best new features in CS4, then this class is for you! So, everyone who attends will receive one of Russell's exclusive tips-and-techniques CDs.

Uli Staiger: Professional Assembly
Bildaufbau starts in the head. When you see the message of an image as the chocolate and the building as its box, it becomes clear how dependent is the message of the presentation. Experience how everyday Photos from Uli Staiger build a whole new visual world. He divided the image into its components: the format, the shapes and the color and contrast representation. The experienceability emotional, installing depth and the creation of atmosphere, he explains, masking and clipping of individual objects, adjust color and contrast using masked adjustment layers and the perspective-correct handling of individual picture elements. The theme of light and shadow play a crucial role: by imitating classical techniques of painting as the painting of lights, you select the shadow areas, or the drawing in of aerial perspective, all elements are not only fused, but styled to a realistic, emotionally effective overall picture .

Calvin Hollywood: Tips and Tricks - Color
To find a personal style in digital imaging with Photoshop, color can be very helpful. Casts must always be removed? It may often not even be positive if one adds an image color cast? In this lecture on Calvin Hollywood shows you ways you can enhance your images by visual color manipulation. He also leads in front of you, as you get through some very interesting color variations picture looks. The speaker will not only remove color casts, he created it and will even show you how you can get creative with some Photoshop techniques to image effects that lie outside the mainstream. After this presentation, you will know some techniques on "Farblooks" and can apply them easily to your work.

Uli Staiger: The idea of the picture and the customer
Uli Staiger presents the idealized workflow - from the first vote of the photographic material and data conversion in the raw converter on the creative image composition to the finished, decorated in InDesign product. You do, be aligned as image data across different sources and combined together to form an overall picture. That is because many tips and tricks to use: How can anyone take already in the conversion affect the final result, or why it makes sense to come to use a raw file as a Smart Object. You will also learn how an image looks on different emotional experience makes them looks adapts to a collection of various images and votes as possible the layout of different versions - and why changes to the Agency should not necessarily mean that you have to start from scratch.

Robert Hranitzky: Photoshop and After Effects
Robert Hranitzky, motion graphics designer from Munich, offers insights into his artistic and technical approach to current advertising and design projects. What is the role of Photoshop in the motion picture workflow and how does it integrate? If you already able to work creatively with Photoshop, is the leap that these existing worlds, and share images with After Effects in motion, not great. The integration of Photoshop in the animation workflow and the close interaction with After Effects is part of this lecture. The talk is interesting for those who want to see something outside the box out of Photoshop to see how it is integrated into the workflow in the field of holistic design and motion picture film.

Sven Fischer: Working with channels - creative and productive in unusual ways
Any Photoshop user knows that color digital images are stored in channels. But how to use channels? What alpha channels are good? This paper shows Sven Fischer facilitate, inter alia, techniques, complex clipping paths using channels. He explains what the benefits are, in channels to save selections as well as the use of channels associated with the use of filters. Here, there are sophisticated ways to improve the quality of images - for example, sharpening or noise removal. But for creative applications of alpha-channels play an important role: first in connection with a series of filters, the other in order to achieve visual effects - for example, in "Algorithmic Painting".

Sven Fischer: Non-destructive image - Image optimization in new ways
Non-destructive image editing in Photoshop CS3 is the latest, a new trend, which continues heavily in CS4 and the way how to deal nowadays with digital image data changed. Many users are not even aware of these new opportunities. In this paper aim is to show new ways that will change the workflow in the prepress or so have been to highlight the flexibility in the repro technical and creative context and identify particular future developments. In a modern pre-press environment has prompted a high degree of flexibility. Sven Fischer points to the ways to save when editing digital images a lot of time and nerves and respond to customer needs immediately to be able to.

Thomas Bredenfeld: HDR and fusing with Photoshop and Lightroom
HDR is the topic on everyone's lips, and photos with the special, often typically quaint look are often seen for some time. This look is only one facet of this fascinating technique on here Thomas Bredenfeld a thorough overview. To decide which of the many possible workflows can choose, you'll find examples that work with Photoshop, Bridge, Lightroom and a number of other programs to produce such images. Even with the admission and ensure the necessary equipment, there are a number of conditions to be observed. When sifting and sorting features, you can make in Lightroom, and Bridge CS4 advantage. Crucial to the look is the Tonemapping: For Photoshop and Photomatix will show the speaker the most important parameters. A little known alternative to the usual HDR process is "Image is fusing, which is presented here together with programs that govern it. This will put you in many application purposes, put the date at a HDR workflow, with less effort to better results.

Karsten Rose plug-ins and add filters and programs for Photoshop
Additional filters and plug-ins for Photoshop reputed still grandstanding and dilettantism. But one must keep track of expenses and earnings, and so can add filters and plug-ins recouped very quickly. They can be divided into two broad categories: technical and creative software. The technical field includes the input image, as the correction of the recording system (camera, lens) in raw format. In the field of new creative effects and editing methods of cooperation are possible with Photoshop, as the figures of textures, smoke and much more. Be exhausted does not always have a filter with all its settings to get a perfect result. With a little editing in Photoshop can often yield the best results. In this talk Karsten Rose points to rapid solutions.

Requirements:
* DSL Internet connection
* Current browser with Flash plugin
* Minimum screen resolution of 1024x768
* Sound card, speakers or headphones
* Pentium 4 from 2.6 GHz, or G5
* 512 MB RAM

SUPPLiER.....: Team Substance
RELEASEDATE..: FEBRUAR 2010
CRACKER......: Team Substance
DiSKS........: 1 DVD
PACKAGER.....: Team Substance
TYPE.........: Training
Language: GERMAN

I n s t a l l a t i o n
1) unpack the files
2) burn or mount the image
3) enjoy

Homepage:
http://www.video2brain.com/de/products-550.htm


Video2brain.Photoshop.Convention.2009.Substance



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All Link Interchangable

Video2Brain.Photoshop-Special.Looks.entwickeln.GERMAN-Substance



Video2Brain.Photoshop-Special.Looks.entwickeln.GERMAN-Substance
609MB | HF Links | Release Date:March 17, 2010
http://www.video2brain.com/de/products-558.htm

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Photoshop Workbench 211 - 220


http://rapidshare.com/files/362157133/PSW_211-220.part1.rar.html
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Photoshop Workbench Episodes 201 - 210 AIO ISO


http://rapidshare.com/files/339642245/PSW_201-210.part1.rar.html
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The Photoshop Workbench Vol 1 Disc 1 & 2


Video Training|Rapidshare|8.3GB

Welcome to the ultimate collection of Photoshop tutorials—Photoshop Workbench Volume One! This two DVD set features Episodes 1 – 200 of Mark Johnson’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 200 episodes).

Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion


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Filefactory:

http://www.filefactory.com/file/a1h336g/n/PhotoshopWorkbench.rar


Disc 1: 29 hours, 15 minutes [4.2 G]

http://rapidshare.com/files/318547082/PSW-V1D1.txt

Disc 2: 29 hours, 6 minutes [4.2 G]

http://rapidshare.com/files/318547101/PSW-V1D2.txt

Video2Brain.100.Prozent.Male.Portraets.mit.Charakter.GERMAN-Substance


Video2Brain.100.Prozent.Male.Portraets.mit.Charakter.GERMAN-Substance
493MB | HF Links | Release Date:March 17, 2010
http://www.video2brain.com/de/products-553.htm

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Gnomon Photographic Retouching in Adobe Photoshop



Gnomon Photographic Retouching in Adobe Photoshop
Trainer: Meghan FARRELL | 157 Minutes | For Windows and Mac | 669 MB

With this DVD you will learn the step-by-step process of using Adobe Photoshop® retouching techniques to transform and prepare images for production level commercial photography. Meghan Farrell will walk you through the steps of retouching a fashion shoot as a basis for learning the primary skill sets to make skin and hair look flawless without looking artificial. You will learn how to retouch and maintain natural skin, hair and hands and reshape the body. You’ll be introduced to indispensable methods of using adjustment layers, layer masks and color correction. The techniques demonstrated in this DVD will help you retouch like a professional, whether working on your own images or for those of a client. The cutting edge techniques demonstrated in this DVD will help you stand out when seeking work in this fast-paced industry.

1. SETTING PREFERENCES

We begin by establishing some basic Photoshop® settings to allow us to work more fluently once we get started.

2. COLOR CORRECTING

Working with adjustment layers and masks is really the only way to color correct images in the professional setting. Having a st rong knowledge of how to use masks quickly will be one of your strongest assets when working in the world of photographic retouching.

3. SKIN RETOUCHING

Using the healing brush and the clone stamp set at various dark/light settings is your best bet for fast touch ups. We are going to be focusing a lot on skin. Remove any large blemishes first and then focus on balancing tone.

4. KEEPING SKIN NATURAL

For a flawless yet naturally textured look, the burn and dodge tool is the only way to go. Star t by burning in the areas that are too light and dodging out the areas that are too dark unt il the skin is a balanced neutral tone. This goes for zoomed in as well as zoomed out.

5. EYES AND SURROUNDING AREA

Use the dodge and burn, clone and healing brush tool to clean up, reshape and sculpt the eye area. Emphasizing the iris and pupil will create a more dramatic look. Always remove the red from the eye whites, but don’t “white-out” the whites, keep the ball of the eye looking spherical.

6. HAIR AND MORE

Using the brush tool set to a low opacity is great for painting in hair strands. Use the clone stamp or copy and paste method for larger areas of hair. Be sure to match the surrounding areas of hair for color, density and sharpness so nothing stands out as unnatural.

7. REVIEWING SKIN TECHNIQUES

On our second image we will review some of the basics learned in the previous chapters for natural skin clean up.

8. SKIN FOLDS

Skin folds include anything from armpits to hand creases. In this chapter I’ll go over how to smooth and refine the armpit area to create a very natural subtle armpit line. Remember to keep your lines straight and apply the basic skin techniques to the surrounding armpit area.

9. REMOVING OBJECTS FROM THE BACKGROUND

Once you have removed the object from the background, focus on rebuilding that background so it blends in with the rest of the image. Keep your lines straight. Pay special attention to where tones change and fade into each other. Using the clone tool set to a medium opacity will help you achieve natural looking results.

10. HANDS AND HAIR REVIEW

Even well manicured hands can look rough once photographed, so pay special attention to fingernails, cuticles, knuckles and veins. Clone stamp set to lighten will give you natural looking knuckles.

11. BODY MORPHING

Using the Liquify filter opens up a new world of possibilities. Learn here how to gently reshape a figure for natural results. Liquify is also a great asset for smoothing lines close-up and can be used on the image as a whole or on selected areas.

12. INTENSIFYING OBJECTS AND SHAPES

Using special techniques to intensify objects gives directors that “POP!” they are looking for.

13. CHANGING COLORS OF SELECTED AREAS

Sometimes you may need to change the color of an object in an advertisement, especially if the ad is for something that comes in more than one color. Having a good understanding of adjustment layers is essential.


About the Instructor:

Meghan Paddock Farrell received a BFA in Photography from Rhode Island College. Her understanding of the color darkroom process as well as her background in fine art informs her ability to accurately manipulate color, capture the 3D human form and translate these through lighting effects into the 2D space. As the Senior Retoucher at the publishing house of Weider Publications, she oversaw, enhanced and brought tens of thousands of images to a production level, print-ready, status. Her work has been published in hundreds of magazines including Glamour, Allure, Vanity Fair, Los Angeles Magazine, Shape Magazine as well as many more domestic and international titles and advertisements. She has also worked as retoucher at Getty Images, SuperColor Hollywood, and for notable fashion photographers Guilano Bekor, Norman Jean Roy and Ondrea Barbe. Currently she works as an independent contractor for several advertisers and publications including OPI, VIV and others.

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